Running the business of music — touring, deals, royalties, and getting paid. Written by working managers.
Comps, plus-ones, industry, family — guest lists are small money and big headaches. How to run one that the door respects and that doesn't quietly eat your capacity.
The worst time to agree on songwriting splits is after the song makes money. A case for documenting the split in the room — and exactly what to capture before anyone leaves.
The release is the easy part. The eight weeks before it decide how it lands. A manager's countdown — pitching, assets, pre-saves, and the dates that have to be locked.
Sold-out rooms, a busy merch table, and a tour that still lost money. A walkthrough of where the P&L actually leaks — and how to see it before the van's already out.
A $35 shirt is not $35 in your pocket. Here's how to work out real merch profit per item — after cost, the venue's cut, and the inventory you forgot you were carrying.
The advance is where a smooth show is won or lost. The exact list of what to confirm with the venue and promoter before load-in — so there are no surprises at the door.
Two songs, two totally different money trails. A manager's guide to the difference between publishing and master royalties — and the registrations that decide whether your artist collects at all.
15%? 20%? Gross or net? Commission is the heart of the manager–artist deal and the most misunderstood. A plain-English guide to structures, carve-outs, and sunset clauses.
A tour that sells out can still lose money. This is how to build a tour budget that survives contact with the road — the line items managers forget, and how to read the break-even.
Late payments quietly kill cash flow. Here's the deposit, invoicing, and follow-up system that gets managers and their artists paid on time — without the awkward chase.